“Totality and Difficulty: ‘Encyclopedic Narrative’ after Gravity’s Rainbow.” American Comparative Literature Association. New York, New York, March 2014. Accepted.
American Literature and Critical Theory
“American Genizah: Maximalist Poetics and the End of Literary Canon Formation in Joshua Cohen’s Witz.” Modern Language Association. Chicago, Illinois, January 2014.
“The Premediated Manifesto.” Modern Language Association. Chicago, Illinois, January 2014.
“Immersion Aesthetics at 2 fps: The Paratextual Psycho in Don DeLillo’s Point Omega.” Society for Comparative Literature and the Arts. Greensboro, North Carolina, October 2013.
“Topography, Topology, Totality: Narrativizing Scale in the Novels of Joseph McElroy.”
American Comparative Literature Association. Toronto, Canada, April 2013.
“Voice at National Volume in George Saunders’s In Persuasion Nation.” Midwest Modern
Language Association. Cincinnati, Ohio, November 2012.
Film and Theater Studies
“‘The Isolationist’: Theme as Structural Principle in the Adaptations of Todd Field.”
Association of Adaptation Studies. Amsterdam, Netherlands, September 2008.
“David Lynch’s Hollywood.” (Chair and panel organizer). Northeast Modern Language Association.
Buffalo, New York, April 2008.
“Joe Orton and the New Queer Historicism.” (Chair and panel organizer). Northeast Modern Language
Association. Baltimore, Maryland, March 2007.
“Self-Consuming Artifice: Public Discourse in Joe Orton’s Britain.” Northeast Modern Language Association. Baltimore, Maryland, March 2007.
“The Sociological Orton: Differential Dramaturgies in The Complete Plays and ‘The Wolfenden Report of the Departmental Committee on Homosexual Offences and Prostitution’ (1954-1967).” Northeast Modern Language Association. Philadelphia, Pennsylvania, March 2006.