Spring 2007 Courses
Seminars for First-Year Students
(First-year students must take one of HNR 172 or 175)
HNR 174: Re-reading the 19th Century
Professor Janet Myers (English)
Meeting time: MW 1:40-3:20
General Studies Distribution: Expression (counts for
Literature requirement)
This course will approach the study of nineteenth-century
literature—and primarily the novel—through the
lens of contemporary culture and the recent cult of
popularity for all things Victorian. Our exploration of
twentieth-century appropriations of nineteenth-century
culture will range from Jane Austen in Hollywood to
contemporary novels that make use of Victorian contexts and
aesthetics. Our explorations will center around several
related questions: Why have so many contemporary authors and
filmmakers chosen to rewrite the nineteenth-century?
How do these rewritings respond to their predecessors and
with what effects? What do they reveal about
nineteenth-century literature and culture, about contemporary
literature and culture, and about the relationship between
the two? The primary goal of the course will be to gain
an understanding of the literary and cultural concerns that
preoccupied nineteenth-century writers, and by extension, to
gain insight into our own cultural preoccupations and
values.
HNR 130: Childhood in Cultural Context
Professor Maureen Vandermaas-Peeler (Psychology)
Meeting time: TTh 10:30-12:10
General Studies Distribution: Society
This course is designed to investigate the study of child
and adolescent development from psychological and
socio-cultural perspectives. "Development"
will be broadly construed, and include topics in social
development encompassing relationships with family and peers;
cognitive development including learning and problem-solving;
and physical development such as genetics and motor skills.
Cultural patterns of behavior and beliefs will be
examined both within and across cultures. For example,
we will consider bedtime routines and sleeping arrangements
in Mayan and U.S. families; children's play and work in
urban and rural societies; effects of gender, social class
and cultural beliefs on adolescent rites of passage; and
changes in puberty around the world.
(Honors courses taught or co-taught by Psychology Department
faculty members may count for up to 4 hours of credit toward
the Psychology major. See the Psychology Department
chair for approval.)
Optional for First-year students
ENG 110-H College Writing
Professor Ashley Hairston
Meeting time: TTh 12:25-2:05
This course is designed to prepare you for writing in the
multiple realms in which college graduates are likely to find
themselves living as citizens, working as professionals,
governing and adjudicating as public officials, and
cultivating and improving as artists, educators, and cultural
activists. You will seek to gain command of persuasive
skills in writing and oratory, explore and refine rhetorical
strategies, and become comfortably engaged in research and
critical analysis of texts from the humanities, the sciences,
medicine, law, and public policy, among others. Our
activities will encourage you to move easily between academic
writing contexts and develop skills that will prepare you for
both more advanced university courses and independent
research and writing.
Team-Taught Courses for Second-Year Students
HNR 275: American Working Class
Professors Sharon Spray (Political Science) and Ken Hassell
(Art)
Meeting time: MWF 9:25-10:35
General Studies Distribution: Society or Expression
(non-literature)
This course is an exploration of how the American working
class has changed over the last thirty years and the
ramifications that such changes have had on the social fabric
of our communities. There are certainly many ways in which a
researcher could explore these questions. One method is to
use non-anecdotal, systematic empirical research to
understand trends and identify variables that explain such
trends. Such inquiry, however, when not coupled with a
normative or experiential framework can fail to fully
illuminate the magnitude such changes have on individuals.
Research that seeks only to understand social problems
through anecdotal examples, however, runs the risk of
misunderstanding aggregate social change (positive as well as
negative). This course is designed to bridge the gap between
empirical, normative and experiential research by asking
students to explore working class issues through two very
different methodological frameworks.
HNR 231: To Be a Sex Object: Representation, Gender, and the
Body
Professors Ann Cahill (Philosophy) and Kirstin
Ringelberg (Art)
Meeting time: Tuesday-Thursday, 10:30-12:10
General Studies Distribution: Expression (non-literature) or
Society
There are precious few instances of consensus in today's
political climate, but one of them seems to be that our
visual culture is overrun with sexually objectifying
images. Most people, whether conservative or liberal,
seem to agree that such images are harmful; yet few can
defend this position with clarity and coherence.
Perhaps this difficulty has its roots in the confusion
surrounding the concept of objectification itself. This
course will explore the social, cultural, visual,
philosophical, and ethical aspects of the phenomenon of
sexual objectification. As we explore images from a
variety of sources, both classical and contemporary, as well
as a diverse set of texts, we will also investigate questions
concerning gender inequality, the relation of sexuality to
identity, and the Western tendency to marginalize, ignore, or
vilify the body. We will wonder: who is sexually
objectified, and why? Is sexual objectification always
ethically unacceptable? Are there ways of representing
bodies that do not constitute objectification? Students
will complete a variety of assignments, ranging from short
daily papers to a semester-long research project, and will be
expected to take a lively part in class discussions.
Courses for Upper-Class Honors Students
Upper-level GST seminar - GST 305 H
The Elon Film Heritage
Professor Ray Johnson
Monday-Wednesday 1:40-3:20
During the decades of the 1930's and 1940's two
extraordinary men, Martin Ritt and Kenneth Utt, were students
at Elon College. Working on films like Hud,
Sounder and Norma Rae, Martin Ritt became a
significant director, one of the most important directors of
films of social consciousness. After a successful
career in theater and television, Kenneth Utt produced motion
pictures like Midnight Cowboy, Silence of the
Lambs, and Philadelphia. Three of his films are
on the American Film Institute's list of the one hundred
greatest American films of all time. This course examines the
lives and artistic achievements of these two filmmakers and
explores the impact Elon College had on their careers.