Articles by Evan Gatti
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April 9, 2021
October 19, 2020
Gatti presents a paper, presides over sessions, and hosts a business meeting at the IMC in Leeds, England
July 4, 2019
Associate Professor of Art History Evan Gatti presented "Things They Carry Re-Presented: Episcopal Simulacra or Decorative Ephemera,” presided over two sessions on Gender, Identity, & the Medieval Bishop & the Secular Clergy, and moderated the Brevia on Bishops & the Secular Clergy in the Middle Ages at the International Medieval Congress in Leeds, England.
June 20, 2019
Associate Professor of Art History Evan A. Gatti co-organized a 2-day conference held at Sarum College on the role of the medieval bishop as patron.
Gatti presents two papers at the International Medieval Studies Congress, chairs panels, and serves as president of EPS
May 18, 2019
Evan A. Gatti, associate professor of art history and associate director of the Elon Core Curriculum, presented "Drawn in Ink With Love: Desire in Looking at and Looking Back” and "Re-Presentation and a Theology of Images" at the International Medieval Studies Congress in Kalamazoo, Michigan.
May 11, 2018
The session was one of three co-organized by Evan A. Gatti, associate professor of art history, for Episcopus, an interdisciplinary, scholarly society.
July 19, 2017
Kirstin Ringelberg, professor of art history, contributed an essay to volume 40 (July 2017) of n.paradoxa: international feminist art journal.
April 19, 2017
Six seniors will present their thesis research on Monday, May 15 from 2:30 to 5:30 p.m. in the Isabella Cannon Room, Center for the Arts.
February 24, 2017
Evan A. Gatti, associate professor of art history, co-presented a paper on Feb. 18, 2017 as part of special advocacy session called "Interventions in the Future of Art History" at the annual meeting of the College Art Association in New York.
November 30, 2016
Khristin Landry-Montes, visiting instructor of art history, has published an article with Jeff Kowalski, professor emeritus of art history at Northern Illinois University, in the International Journal of the Inclusive Museum.