Back to the future of literature: Niffenegger’s
‘Wife’
Blake Hinton / Reviewer
Out of all genres to write about, time travel is easily the
hardest. It’s the hardest, not in the writing aspect,
but because of the fact the story has been done hundreds of
times before. In this day and age, a story simply about time
travel is boring. To have true success is to bring a new
element to the table. Jack Finney did it with his classic
time travel novel “Time And Again.” Now, decades
later, author Audrey Niffenegger does it again with her new
novel, “The Time Traveler’s Wife.”
What makes this book so innovative is the creative plot and
unique style. In fact, the story is very reminiscent of Kurt
Vonnegut’s “Slaughter-House Five.” In
“Wife,” the two main characters are a married
couple, Henry and Clare De Tamble. Henry is a Chicago
librarian who is the victim of a new disease named
“chrono displacement” disorder. Because of this
disease, Henry is unstuck in time. Without warning, Henry
pops backward and sometimes forward in time while his wife
remains helplessly in the present. Henry always returns to
the present, but what makes the disorder dangerous is neither
Henry nor Clare ever know how long the trip will last. The
novel tracks their marriage as Clare struggles between her
fear of what might happen to Henry and her love for him.
Niffeneger writes a potent love story with endearing
characters, but more importantly, she knows how to keep track
of all of them. Throughout the book, there are only about
four main characters. But there are many different versions
of them. For example, when Henry pops back in time, he might
meet a future or past version of himself or one of the other
characters. There are many witty scenes where two Henrys of
two different ages meet and chat. Because of the
author’s deft handling of the material, what could have
been hokum becomes incredibly realistic.
It’s amazing to think that this is only the
author’s debut novel. It becomes even more incredible
when considering the style it’s written in. Since the
book is told from the point-of-view of both Henry and Clare
things could have been confusing. After all, by the time the
book ends, the reader has met at least eight different
versions of Henry and Clare. For lesser authors, this
approach would prove disastrous. The shuttling back and forth
in time would become annoying and ultimately incoherent.
Thankfully, Niffenegger doesn’t let that happen. She is
always in control of her material and makes what is a
complicated story very clear. One has to wonder what she has
up her sleeve for her next novel.
If Valentines Day had not already passed, this would have
been a great book for couples to read. While the story has
many fantastic elements, at its core is a powerful story of
true love overcoming all odds. It sounds corny, but
Niffenegger makes it so fresh. In the end, this is what true
science fiction is. Like other classic authors in this niche,
Niffenegger realizes that one does not need to be entrapped
by the genre. Instead, she uses a fantastic story to convey
important messages about love, fate, and our place in this
world. As much as it sounds, this is not chick lit.
It’s a story for both genders and an amazing one at
that.
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