Innovative and Flexible Curriculum
As an art history student, you will embark on a challenging course of study that focuses on images and objects from the world’s history. Rather than memorize lists of artists, artworks, and historical dates, you will study what these artworks mean, the contexts in which their artists produced them, and how those issues relate to the way history has been constructed. You will explore the ideological biases that have informed your understanding of art to this point, and you will practice articulating a more knowledgeable position.
Introductory courses consider themes of power, identity, artistic exchange, and collection and display, across time and from a global context. Upper-level courses cover specialized areas of analysis, including those defined by geographical region, time period, stylistic category, conceptual theme and/or ideology. An art historian’s primary sources include visual objects themselves in addition to more typical historical resources, so specialized training in formal analysis is also vital to our studies. Art history majors complete their academic training with a senior seminar in which they research, write, and present a significant project founded on their own interests. These projects may result in term papers, exhibitions, symposia, or alternative ventures developed under the guidance of the faculty.
The art history program is flexible, allowing students to select a double major or minor in other fields. You will be encouraged to expand your academic experience in order to gain a wide range of skills that can be useful to any career path.
As a first-year investment team analyst at a venture capital firm, I know that Art History helped me hone the critical thinking skills I use daily at work. Similar to writing art history research papers and a thesis, investment memos require diligent research and concisely synthesizing information. Strong writing skills, the ability to conduct thorough research, and the ability to self-advocate are the skills that I developed as an Art History major that have served me well on the job!
The art history faculty are active researchers who believe in the importance of student responsibility. Art history majors will be challenged to build intellectual muscles in classrooms led by professionals who are up-to-date in their knowledge and pedagogies.
(On sabbatical for 2023-2024) Dr. Kirstin Ringelberg, Professor, specializes in modern and contemporary art and visual culture. Ringelberg’s book Redefining Gender in American Impressionist Studio Painting: Work Place/Domestic Space was recently reprinted in paperback, and they have published journal articles and book chapters in art history, cultural studies, visual studies, and feminist venues. In 2020, Ringelberg co-edited a special themed issue New Work in Transgender Art and Visual Culture Studies for the Journal of Visual Culture, in which they also co-authored the introduction “Prismatic views: a look at the growing field of transgender art and visual culture studies”. They have also published and presented nationally and internationally on 19th-century and contemporary American, French, and Japanese art and art historiography. In 2008, Ringelberg received the Elon College Excellence in Teaching Award and in 2013, Ringelberg received the Elon College Excellence in Service/Leadership award. They also received the university’s only full-year, full-pay sabbatical for 2016-2017.
Dr. Evan A. Gatti, Professor, specializes in medieval art with a focus on 11th-century art commissioned by bishops in connection and conflict with the Ottonian and Salian Empires. Gatti was the co-editor for Envisioning the Bishop: Images and the Episcopacy in the Middle Ages with Sigrid Danielson (Brepols 2014). Gatti and Danielson also co-authored a bibliography on Art in Italy for Oxford Bibliographies Online – Medieval Studies (2012). Gatti has a co-authored book chapter on the Quedlinburg Casket in press (with Eliza Garrison) as well as an article on the portraits of Sigebert of Minden. Gatti is currently at work on a project concerned with concepts of facsimile and historiography with a focus on the rotulus featuring scenes from the Acts of the Apostles held in the Archivio Capitolare in Vercelli. She is a founding member and former president of EPISCOPUS: The Society for the Study of Bishops & the Secular Clergy in the Middle Ages and works closely with the Power of the Bishop Conference for whom she is co-editing recent conference proceedings. At Elon, Gatti is the coordinator for Elon’s Art History program and a new minor in Museum Studies and Public History. She served as the Associate Director of the Elon Core Curriculum from 2014-2019. In 2009, Gatti received the Elon College Excellence in Service/Leadership Award. In 2012, she received the Student Government Association’s Gerald F. Francis Award for Outstanding Faculty Member, and in 2019, she was awarded Elon College Excellence in Mentoring Award.
Dr. Blair Apgar is currently a fellow at the National Endowment for the Humanities funded Institute of the Immersive Global Middle Ages where they are researching and building 3D environments of medieval spaces. Their work is an exploration of Imagined and Virtual pilgrimage at Santo Stefano in Bologna, and the interplay of physical and imagined spaces. Apgar’s broader research focuses on the art and architecture under Matilda of Canossa during the Gregorian Reform and First Crusade, as well as issues of gender, agency, and patronage. They are also interested in modern representations of the Middle Ages in popular media such as video games and film. Their current fixation of modern/medieval media is Asobo Studio’s A Plague Tale: Requiem but welcomes any and all recommendations.
Dr. Miranda L. Elston, assistant professor, specializes in the art, architectural, and visual culture of sixteenth-century Europe and the Atlantic world. Currently a Ph.D. candidate in the final year of her doctoral work at UNC-Chapel Hill, her dissertation explores the theme of early Tudor experience and perception of architectural space through literary and pictorial examples. Miranda has previously worked as a consultant researcher and digital developer for Local Projects, adjunct instruction at Parsons School of Design, and a Learning Coach at UNC. Forthcoming is her book chapter, “A Moralistic Journey: The Tabula Cebes as an Architectural and Spatial Allegory in Sixteenth-Century Basel,” in A Gateway to the Book: The Art of the Frontispiece in Early Modern Europe (2021). She previously published in 2019 an article “Holy Things: Dürer’s Feast of the Holy Rosary in the Rudolfine Court,” Carae: An Australasian Journal of Medieval and Early Modern Studies, Vol 5, for which she won best prize recipient. In 2017 she published a book chapter, “Hilliard’s Miniatures: Enacted Desire within the Elizabethan Court,” in European Portrait Miniatures: Artists, Functions and CollectionsInternational symposium of the Tansey Miniatures Foundation and article “Persuasive Interior: Reconstructing the Whitehall Palace Privy Chamber” in Chronika, Institute for European and Mediterranean Archaeology. She has presented her work at conferences both nationally and internationally. Miranda has additionally been the recipient of the Visiting Scholar Award at Yale Center for British Art, Thomas F. Ferdinand Summer Research Fellowship, Maynard Adams Fellow for the Public Humanities, Research Support Grant from the Paul Mellon Center for Studies in British Art, travel funding through the UNC Program in Medieval and Early Modern Studies, and Kress Fellowship for Applied Research.
Since 2003, Elon’s art history program sponsors a speaker series that has brought world-renowned art historians to campus. With four talks scheduled per year, the series gives students an opportunity to interact with the major scholars in the field. The upcoming speaker for Spring 2018 is La Tanya Autry, “Reform or Revolution: Centering Social Justice in Museums.” Past speakers include Timon Screech, Norman Bryson, Terry Smith, Carol Duncan, Barbara Abou-el-Haj, Frank K. Lord, esq., Rebecca Brown, Carol Mattusch, John Neff, Gennifer Weisenfeld, Rebecca Martin Nagy, Dorothy Verkerk, Judith Rodenbeck, Rachael Ziady DeLue, David M. Lubin, Mary D. Sheriff, James Elkins, and Jaroslav Folda.
Being a double major in Art History and History has allowed me to discover a passion for museum studies and public history. History and Art History professors both have been instrumental in supporting my undergraduate research in history museums, which allowed me to independently explore my interest in museums and develop my knowledge further.
The Elon University Art Collection
This collection includes a wide variety of visual objects from around the world; notable is the African art collection, which includes more than 300 pieces. The university collection is a living part of the Elon campus. Revolving exhibitions from the collection are housed in the library, academic classrooms and department suites. Art history majors and minors can choose to curate exhibitions on campus or research and document the collection under the supervision of a faculty mentor as part of their academic curriculum or as a work-study opportunity.
The World as Your Classroom
Art history majors and minors benefit from a variety of opportunities outside of our dynamic classrooms. University faculty lead study abroad programs that emphasize art historical study in countries such as France, Japan, and Italy. Majors and minors are also encouraged to take semester-long studies at universities outside of the United States, so they can experience the diverse contexts for art first-hand.
Many art history majors and minors have received course credit for internships at galleries and museums in the United States and abroad, including:
- The Solomon R. Guggenheim Museum (New York, NY)
- Christie’s Art Auction House (New York, NY)
- Pace Prints Gallery (New York, NY)
- The Mint Museum (Charlotte, NC)
- The Archives of American Art (Washington, DC)
- The High Museum (Atlanta, GA)
- The Metropolitan Museum of Art (New York, NY)
- The Smithsonian American Art Museum (Washington, DC)
- The North Carolina Museum of Art (Raleigh, NC)
- The Phoenix Art Museum (Phoenix, AZ)
- The Museum of Tolerance (Los Angeles, CA)
When students graduate with an art history degree from Elon, they are well-prepared for an array of postgraduate opportunities. Art history alumni have gone on to work in the fields of art practice, visual culture, museum studies, international studies, and history, among others. Recent graduates also have attended prestigious graduate programs in art history and other disciplines at:
- Université Paris-Sorbonne
- Chatham University
- University of California at Berkeley
- University of California at Riverside
- American University
- Sotheby’s Institute of Art
- Florida State University
- George Washington University
- Drexel University
- Stony Brook University
- University of Colorado at Boulder
- University of North Carolina at Chapel Hill
- Virginia Commonwealth University